This video was filmed during a screening of Barbara Hammer’s Sanctus at the exhibition  ‘Generation LOSS: 10 Years (Julia Stoschek Collection).’  When the sound from another work was accidentally cut off, the viewers’ attention naturally shifted to the aisle where Sanctus was being projected. Rather than focusing on the narrative of Hammer’s film, this video attends to the colored reflections produced by the projection and the light it casts across the space. Through the shifting rhythms of sound and light, the film’s imagery unfolds within the viewers’ imaginations, while the space’s simple architectural structure is continuously transformed by the projection’s changing illumination.

This work occupies a narrow, ten-meter-long passage between a wall and windows inside the museum. Within this seemingly residual passage, transparent magenta film was applied to three windows and then partially removed.
The work does not foreground the artist’s hand or rely on extensive material intervention. Instead, it activates conditions already present in the space. These include the windows, the narrow passage, the blank wall, and the light entering from the hall beyond.
Through this subtle gesture, immaterial phenomena reconfigure the residual space. Light and shadow, color and its complement, and variations in density and diffusion continuously transform the passage. In this way, the work reveals how minimal intervention can give rise to a new spatial experience.